Different models yield different pairs of complementary colors and so forth, and the degree of harmony of sets derived from each color space is largely subjective. One difficulty with codifying such patterns is the variety of color spaces and color models that have been developed. Several patterns have been suggested for predicting which sets of colors will be perceived as harmonious. Types The traditional RYB (red–yellow–blue) color wheel, often used for selecting harmonious colors in art The RGB (red–green–blue) color wheel, matching most technological processes, but exhibiting different complementary colors The Munsell color wheel attempts to divide hues into equal perceptual differences. Artists and designers make use of these harmonies in order to achieve certain moods or aesthetics. Color harmony has been a topic of extensive study throughout history, but only since the Renaissance and the Scientific Revolution has it seen extensive codification. These combinations can be of complementary colors, split-complementary colors, color triads, or analogous colors. These combinations create pleasing contrasts and consonances that are said to be harmonious.
In color theory, color harmony refers to the property that certain aesthetically pleasing color combinations have.
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